terça-feira, setembro 26, 2006

Tirem suas conclusões


http://www.youtube.com/watch?v=zCawcPs7U9U Chaos

(Main character walking down the street with a man who is holding a can of gasoline - J.C. Shakespeare.).

A self-destructive man feels completely alienated, utterly alone. He's an outsider to the human community. He thinks to himself, "I must be insane." What he fails to realize is that society has, just as he does, a vested interest in considerable losses and catastrophes. These wars, famines, floods and quakes meet well-defined needs. Man wants chaos. In fact, he's gotta have it. Depression, strife, riots, murder, all this dread. We're irresistibly drawn to that almost orgiastic state created out of death and destruction. It's in all of us. We revel in it. Sure, the media tries to put a sad face on these things, painting them up as great human tragedies. But we all know the function of the media has never been to eliminate the evils of the world, no. Their job is to persuade us to accept those evils and get used to living with them. The powers that be want us to be passive observers. And they haven't given us any other options outside the occasional, purely symbolic, participatory act of voting. You want the puppet on the right or the puppet on the left? I feel that the time has come to project my own inadequacies and dissatisfactions into the sociopolitical and scientific schemes, let my own lack of a voice be heard.

(He pours gasoline all over himself and lights himself on fire.)



http://www.youtube.com/watch?v=U-KnlMN-loo Alex Jones

(Guy with a bullhorn is driving through the city streets yelling - LIBERTARIAN talk show host Alex Jones)


You can't fight city hall, death and taxes. Don't talk about politics or religion. This is all the equivalent of enemy propaganda rolling across the picket line. "Lay down, G.I. Lay down, G.I." We saw it all through the 20th Century. And now in the 21st Century, it's time to stand up and realize that we should not allow ourselves to be crammed into this rat maze. We should not submit to dehumanization. I don't know about you, but I'm concerned with what's happening in this world. I'm concerned with the structure. I'm concerned with the systems of control, those that control my life and those that seek to control it even more! I want freedom! That’s what I want! And that’s what you should want!
It's up to each and every one of us to turn loose and show them the greed, the hatred, the envy, and yes, the insecurities because that is the central mode of control - make us feel pathetic, small so we'll willingly give up our sovereignty, our liberty, our destiny. We have got to realize that we're being conditioned on a mass scale. Start challenging this corporate slave state! The 21st Century is going to be a new century, not the century of slavery, not the century of lies and issues of no significance and classism and statism and all the rest of the modes of control! It's going to be the age of humankind standing up for something pure and something right!
What a bunch of garbage - liberal Democrat, conservative Republican. It's all there to control you. Two sides of the same coin. Two management teams bidding for control! The C.E.O. job of Slavery, Incorporated! The truth is out there in front of you, but they lay out this buffet of lies. I'm sick of it, and I'm not going to take a bite out of it! Do you got me? Resistance is not futile. We're gonna win this thing. Humankind is too good! We're not a bunch of underachievers! We're gonna stand up and we're gonna be human beings! We're gonna get fired up about the real things, the things that matter: creativity and the dynamic human spirit that refuses to submit! Well that's it! That's all I got to say! It's in your court.


Comentário: Síntese de tudo que sempre quis dizer aqui no blog e nunca tive capacidade de expressar.


http://video.google.com/videoplay?docid=368363424688672759&q=waking+life&hl=en


(A blonde woman is talking in a house - Kim Krizan, screenwriter)


Creation seems to come out of imperfection. It seems to come out of a striving and a frustration. And this is where I think language came from. I mean, it came from our desire to transcend our isolation and have some sort of connection with one another. And it had to be easy when it was just simple survival. Like, you know, "water." We came up with a sound for that. Or "Saber-toothed tiger right behind you." We came up with a sound for that. But when it gets really interesting, I think, is when we use that same system of symbols to communicate all the abstract and intangible things that we're experiencing. What is, like, frustration? Or what is anger or love? When I say "love," the sound comes out of my mouth and it hits the other person's ear, travels through this Byzantine conduit in their brain, you know, through their memories of love or lack of love, and they register what I'm saying and they say yes, they understand. But how do I know they understand? Because words are inert. They're just symbols. They're dead, you know? And so much of our experience is intangible. So much of what we perceive cannot be expressed. It's unspeakable. And yet, you know, when we communicate with one another, and we feel that we've connected, and we think that we're understood, I think we have a feeling of almost spiritual communion. And that feeling might be transient, but I think it's what we live for.

Comentario: Minha parte favorita. Kim Krizan, co-roteirista dos filmes de Linklater, é a autora da frase "The answer must be in the attempt", proferida por Celiné (personagem vivida por Julie Delpy) em Antes do Amanhecer e Antes do por do sol. Apesar de quarentona, Kim Krizan será minha futura esposa.


domingo, setembro 17, 2006

Jorge Luis Borges

"Como os de 1969, os jovens de 1923 eram tímidos. Temerosos de uma íntima pobreza, tratavam como agora de escamoteá-la sob inocentes novidades ruidosas. Eu, por exemplo, me propus demasiados fins: arremedar Miguel de Unanumo, ser um escritor espanhol do século XVII, ser Macedonio Fernández, descobrir as metáforas que Lugones já havia descoberto, cantar uma Buenos Aires de casas baixas e, para o poente ou para o sul, de chácaras gradeadas.

Naquele tempo, procurava os entardeceres, os arrabaldes e a desdita; agora, as manhãs, o centro e a serenidade"

(Obras completas)

Já que ninguém mais escreve aqui.

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